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It has a programmability and customisable nature that’s just not present in Logic, and it has the added benefit of Max for Live compatibility. There are a few exceptions of course, as I understand Nine Inch Nails use “Mainstage”… but really, Live is an industry standard for performance.

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From solo techno live acts to stadium rock bands, if there’s software on stage you can almost certainly assume that there’s at least one computer running Ableton Live. If you have any plans to perform using a computer or to DJ with your DAW, at some stage you will most certainly need Live. If you’re going to perform, you simply MUST get Live. Of course, if and when you’re ready finalise your track and “tell your story” on a timeline, you can switch across to the Arrange View. If you set a sound or instrument running you can let it play forever (if you wish) or choose when to stop it, and this makes it useful for artists who take a layered looping or overdubbing approach to building an idea. In this view there’s no clear beginning or end to your track, song or sound experiment, so it’s fun because it allows you to focus on the “vibe” or groove, rather than worrying about any finished product. This is a non-linear workspace for jamming ideas by triggering loops of audio or MIDI, and it’s perfect for improvising and for live performance applications too. It does have an Arrange View too, but what makes Live unique is the Session View. If you’ve already used one of these DAWs and want to switch, Live can be a little confusing at first. Each of these has an area for arranging on a timeline, and a mixer section for balancing levels and panning, adding plugins etc.

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Logic uses a visual layout that is similar to most other DAWs, including Cubase and Pro Tools. If you’re completely new to production or want to move from the studio to the stage, Live is intuitive and fun. If you grew up on Cubase or Pro Tools, Logic will likely make more sense. If you don’t already own it, the price tag of just over $300 from the App Store compared to a much higher $600-900 for Live (depending on the version) makes a great case for trying Logic Pro. Logic has some very nice sounding software synths built in too.

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It’s really easy to transport your Live projects to other computers, and even if you’re more comfortable on Mac or PC, once you are inside the DAW it becomes really easy.Ĭredit where credit’s due: Logic has incredible compressor, EQ and reverb devices, and these have occasionally enticed me over to the “dark side” for the mixing stage of my production.

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On a PC you’d use Control-C and then Control-V. For example, to copy and paste some audio or MIDI in Live on a Mac you would use the keys Command-C and then Command-V. Live also works almost identically on both, with some basic exceptions that are easily navigated. Logic is Mac only, while Live runs on both operating systems. If you’re a PC/Windows user, the answer is no. Here’s what they think are the strengths and weaknesses of each platform: Their opinion on the matter is so strong that each has taken official steps to confirm both their love for their chosen DAW, and to establish themselves as an expert in teaching it: Mike Callander and Dave Norris are Ableton Certified Trainers while Davide Carbone is an Apple Certified Pro in Logic. True to that statement, when you make a course enquiry at SOS, you’ll likely hear a different answer from each of the School’s tutors.

Whether you’re new to music production or a seasoned producer, the “which is better” comparison between Digital Audio Workstations (DAW) is discussed at length and is often inconclusive.

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